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African Culture Stories 1: A quick look at Ghanaian cinema

Welcome to our African culture thread!  In these posts, we will be taking a closer look at some aspects of the cultural life of the countries where WEbuilding’s projects are happening. We hope they pique your curiosity!

“Ghanaian cinema.” What comes to mind? I wasn’t sure either, but as it turns out, the seventh art in Ghana has a turbulent and fascinating history. From its beginnings – in the 1940’s, when it first became widely accessible – cinema in Ghana was linked to politics: the big screen was an important propaganda tool of the British colonial government (to rally support for the war effort, among other things).

This cinema-politics connection continued well after the country’s independence in 1957. In 1964, President Kwame Nkrumah established the Ghana Film Industry Corporation, to restore cinema to the people and foster national pride and self-determination. In the two years until Nkrumah’s overthrow in 1966, the GFIC produced over 150 films that served (as filmmaker Kofi Bucknor explains in this informative video about the early history of cinema in Ghana) as a “tool for having Ghanaians understand what governance was about.”

In the subsequent political turmoil, the Ghanaian film industry entered a period of decline, until the country’s first independent film hit theatres in 1981. This was Kwaw Ansah’s Love Brewed in the African Pot, a love story set in the colonial period that quickly became a classic, winning the UNESCO award for best cultural film. On the difficulty of financing his production in the face of a government-dominated film industry, Ansah recalls: “It took me about eight years. Finally, the bank gave me an audience. But then they wanted a fixed asset. I was working, I didn’t even have a car.” Luckily for Ansah (and for the history of African cinema) his father-in-law saved the situation by offering his house as collateral.

Ghana’s European cinematic breakthrough came two years later with Kukurantumi, the Road to Accra, by award-winning actor-director King Ampaw. Incidentally, this film – one of the first Ghanaian movies to be aired on European television – is set in the same region of Ghana as Koforidua, the site of WEbuilding’s River of Blessing Academy school project.

At the same time, with the advent of video in the 1980s, an independent amateur VHS film scene began to develop. Self-proclaimed directors would create their own scripts and film them with amateur actors. “It fell to people who had money to buy a video camera and shoot, it wasn’t about the quality of acting, it was just to put something on camera,” actress Anima Misa Amoah recalls. “So, in that period a lot of people got involved who had no idea of how to direct a movie.” But those were the times, and there was a cultural vacuum to fill.

Thirty-five years on, this grassroots approach continues to inform Ghanaian films, which are becoming increasingly present on the international scene. In 2019, The Burial of Kojo, a micro-budget local production by the 38 year-old hip-hop and visual artist Blitz Bazawule, became the first Ghanaian film to be released on Netflix, after winning numerous nominations and awards at the 15th Africa Movie Academy Awards. Since 2017, Accra also hosts the Ndiva Women’s Film Festival.

The Rex Cinema in Accra
(source: cinematreasures.org/)

Our First Shamba

Mozambique is a multilingual country. Numerous Bantu languages are spoken along with Portuguese. Many words and expressions are borrowed between languages, we like one very much: Machamba, from the Swahili term Shamba, which means cultivated land or plot.

At WEbuiliding we have an ongoing project that involves a Machamba, it’s an ecological farm that will supply the Munti Centre of Khanimambo Foundation. They have been working there for ten years, at Xai-Xai in the province of Gaza, south of Mozambique. They focus on children and families from close-by communities, in education, health, and nutrition support. Everyday four-hundred kids eat at Munti Centre, where they already have a small Machamba, managed by a group of mothers whose children attend the centre. The mothers sell them part of the vegetables they harvest, and thus the program has fresh and healthy supplies!

In this project, together with Khanimambo Foundation we’re building a larger Machamba of 15 hectares, that’ll generate new training opportunities, employment, and social growth. We’ll oversee the architectural design and construction and will be implementing sustainable techniques and bioconstruction with materials from the region. On October 2019 we had our site visit to Mozambique and we ate loads of delicious plates, one that we enjoyed a lot was Xima, a type of porridge made with water and corn flour. Xima is eaten as a staple carb in most meals, and usually comes with a vegetable or meat stew. Other vegetables that are widely grown in Mozambique, and at Munti Centre’s Machamba, are potatoes, cassava, carrots, squash, chards, spinach, aubergines, and legumes like nhemba beans.

Even with its high agricultural potential the rate of chronic malnutrition affects 43% of children under five years of age, according to the country’s most recent Demographic Health Survey. So, to ensure a healthy diet, at Munti Centre they have weekly menus based on specific child nutritional needs. In the video below you can meet Guida, the centre’s nutrition specialist who shares their strategy to tackle chronic malnutrition with knowledge and a bit of magic soup😉.

River of Blessing Part 1: Between Koforidua and Berlin

This March, WEbuilding began building a school in the city of Koforidua, Ghana, in cooperation with the River of Blessing Academy, a local educational institution dedicated to fostering innovation and creative learning (check out our project description here). In this thread, we will be sharing experiences and impressions from our team members, colleagues and friends on the ground in Ghana, accompanying the new school as it takes shape and taking some time to zoom in on the faces behind this unique and inspiring project. So here goes!

Where did it all begin?

Koforidua is a commercial and educational hub about sixty km. north of Accra. Since 2013, the River of Blessing Academy (ROBA), has been working here to educate local children using activity-based, creative learning approaches that are in high demand in Ghana. “We believe in the potential of every learner and seek to identify our pupils’ strengths and weaknesses in order to approach their education in a holistic manner,” ROBA founder and director Abba Hughes told us in an email yesterday.

Abba, 32, grew up in Zambia and Ghana and studied business administration in Koforidua, where she is about to complete her PhD. After several years of experience in marketing and with a series of successful projects to her name, she decided to start her own school: “I realized I was not content just working for money. I wanted to pursue something that had ‘eternal value‘. Something I’d created from scratch.”

That “something” was ROBA. Over the past seven years, the Academy, which consists of a nursery, kindergarten and primary school, has evolved into a unique learning location where local children can receive a low cost, quality education inspired by the STEAM (science, technology, engineering, arts and mathematics) model, which emphasizes creative innovation and critical thinking.

A voice from the field….

In 2018, ROBA contacted us with a request to help expand their school with a new building complex. After a year and a half of intense fundraising, construction finally began this March.

WEbuilding architect Florian Schlummer oversaw the first phase of the project, before he was forced to return to Berlin due to the pandemic. I asked him how things are going and how the situation is affecting the project. “The work with the contractor is surprisingly smooth, and so far, we couldn’t have hoped for more,” he said. ROBA also gets good marks. “The room where I stayed was right next to the school. The team is driven by a high motivation to make a difference for the kids, despite all the financial struggles.”

Since Florian got back from Ghana, Abba has been supervising the construction site with close support from WEbuilding via WhatsApp, email and Zoom. Despite the technical setbacks, spirits are high on all sides. “The motivation and dedication of the ROBA staff, especially Abba, is a huge inspiration,” he said.